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Haji Gokool Meah (1847 - 1939)
- By Ulema uddin
- Published 03/2/2009
- Nation Builders -Trinidad
-
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The Cinema
On Thursday February 2nd 1911,
Trinidadians got their first taste of the new-fangled technology of
moving pictures. The London Electric Theatre was constructed at the
corner of Baden Powell St. and French St. in Woodbrook. Built by Marcus
and Reginal Davis, the opening was eagerly anticipated as crowds braved
a rainy evening to see the first show, entitled “The World Before Your
Eyes” . The matinée was a series of stills, rapidly flipped before a
projector to give the illusion of motion. The rates charged for
admission were for the gender and age classes, and not for house or
balcony as with later cinemas.
Another pioneer in the local cinema industry was Gokool
Meah. Born in 1848 in Kashmir, he came as a child to Trinidad, and was
subsequently orphaned with the deaths of his parents, Caulloo and
Puddoo. Adopted by a childless Hindu couple, who did not mind the waif’s
Islamic heritage, he grew up in labour on Concord Estate, near
Pointe-a-Pierre, then owned by Dr. J.B Phillippe, a prominent coloured
medical man and well-known public
figure.
By 1870 he was driving a mule cart, and later bought
one of his own with which he did a thriving trade, carting canes to the
refinery at Usine Ste. Madeline. His career as a carter abruptly ended
when the mule kicked him, and using his savings, Gokool opened a small
shop near the estate.
In 1878 he married a young Punjabi woman, Rojan, who
gave him 11 surviving children. The shop prospered and in 1892, Gokool
was able to purchase Diamond, Greenhill and River Estates, comprising
almost the whole Diego Martin valley, which he developed as cocoa
plantations. He moved there with his family and lived in a large wooden
house. His children were educated in the local R.C School, with the boys
going on to prestige secondary schools in
POS.
By 1918, Gokool was buying up properties in POS which
were going cheap in the post WWI recession. Although known as a hard
commercial man, he was a charitable, pious Muslim, who fed children at
his home daily and gave a piece of land to be used as an Indian cemetery
in Diego Martin.
In 1922 he made a pilgrimage to Mecca with his son
Noor, and became known as Haji Gokool Meah. In 1927 he built a Masjid in
St. James which bears his name. In 1933, Gokool dived feet first into
the cinema business, where fellow Indians, Timothy Roodal and Sarran
Teelucksingh had already made a fortune. He was particularly convinced
when the first movie with sound, a ‘talkie’ was shown in 1930. Gokool,
supported by his son Noor (business manager of the vast empire his
father owned and a QRC grad) forged an alliance with the American film
producer, Metro Goldwyn Mayer, MGM. The contract was so planned that
Gokool could only show films produced by
MGM.
In 1933 , he constructed at the corner of St. Vincent
and Park Sts. the Metro Cinema. It opened on March 19th 1933 to huge
fanfare and for good reason. The ornate classical building could seat
over 1,000 patrons in balcony and pit, and cost over $80,000 to
construct. By comparison, almost the whole of modern-day Aranguez was
for sale at the time for $22,000.00 The Globe was also the first
building in Trinidad to be air-conditioned, and the largest cinema in
the Caribbean. It also had a stage for live theatrical
performances.
In 1938, Gokool breached his contract with MGM by
showing films from rival outfits like RKO and Paramount. MGM withdrew
and signed with George Rosenthal, another cinema pioneer. Gokool changed
the name of his cinema to Globe, which name it still carries today. He
also opened other Globe cinemas in Princes Town and Chaguanas. Not above
a little bobol from time to time, Gokool tried to burn down one of his
properties for insurance, sending his son Anware to do the deed… the boy
was caught and fined. “Insuranburn”, as Sir V.S Naipaul called it, was a
popular crooked business practice at the
time.
Gokool died in 1940 aged 92. The cinema he founded is still extant in its original building and is a gem of period architecture.
The Cinema - contributed by
Angelo Bissessarsingh
Siparia
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