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- Hussay Festival, Westmoreland, Jamaica
Hussay Festival, Westmoreland, Jamaica
- By Ulema uddin
- Published 02/14/2009
- Shi'ism in the Region
- Unrated
Jamaica Hussay Festival
The Hussay Festival is a traditional festival pronounced and sometimes
spelt as in this image's title but actually called Hosay. Hosay was
brought to the Caribbean by Indian indentured workers in the 1840s. It
is the Caribbean version of Moharram, an annual festival observed by
the Shi’a Muslims within the Islamic faith. Moharram is the Islamic
month when followers mourn the memory of the Prophet Mohammed’s
grandsons, Hosain and Hasan. Acts of piety include self-flagellation
and prayer. The bamboo and paper replicas of the tomb of Hosain being
carried through the procession of our chosen image form the focus of
the ceremony. They are called Tazias or Tadjahs and are built over the
nine days of mourning songs that take place in Hosay. On the tenth day
of Hosay the Tazia is carried through the streets and thrown in the
river or sea (or buried in a hole in the ground). Olive Senior also
notes that in the Caribbean, Hosay has lost most of its religious
significance as, in countries such as Jamaica, “Hosay features the
active participation of many different religious and ethnic groups
other than Muslims, especially non-Indian Creoles”. This can be seen in
the image here, where the people captured are more likely to be
“celebrating communal solidarity, proclaiming their ethnic identity in
public, and affirming / remembering their ancestors’ sacrifices in
coming to labour on the sugar estates.”
Senior’s Westmoreland witness to Hosay processions in the early twentieth century remembers that “Hosay represented mystery, beauty and violence. Non Indians, fascinated by the highly crafted Tazia, were often driven away forcefully by those in the procession. Looking or touching was forbidden, and dangerous. Fighting broke out…[chiefly] from each believer’s desire to be the first to launch his own shrine into the sea, an act which brings great blessing and good fortune…” She adds, more prosaically, that “the police were always on the alert during Hosay, and the Savanna-la-mar Hospital usually admitted a number of the wounded”

Hussay Festival, Westmoreland
Image from the National Library of Jamaica Photograph Collection.

1989: The scene on Spanish Town Road as dozens of Indian-Jamaicans celebrate the ritual of Hussay. The very expensive tabernacle, lifted at centre, is blessed in a religious ceremony, carried through the streets and then dumped into the sea. picture by Jamaica Gleaner
Senior’s Westmoreland witness to Hosay processions in the early twentieth century remembers that “Hosay represented mystery, beauty and violence. Non Indians, fascinated by the highly crafted Tazia, were often driven away forcefully by those in the procession. Looking or touching was forbidden, and dangerous. Fighting broke out…[chiefly] from each believer’s desire to be the first to launch his own shrine into the sea, an act which brings great blessing and good fortune…” She adds, more prosaically, that “the police were always on the alert during Hosay, and the Savanna-la-mar Hospital usually admitted a number of the wounded”

Hussay Festival, Westmoreland
Image from the National Library of Jamaica Photograph Collection.

1989: The scene on Spanish Town Road as dozens of Indian-Jamaicans celebrate the ritual of Hussay. The very expensive tabernacle, lifted at centre, is blessed in a religious ceremony, carried through the streets and then dumped into the sea. picture by Jamaica Gleaner
